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		<title>Nikon Z8 HLG / N-Log Stops vs IRE</title>
		<link>https://zxi.mytechroad.com/blog/photography/nikon-z8-hlg-nlog-stops-vs-ire/</link>
					<comments>https://zxi.mytechroad.com/blog/photography/nikon-z8-hlg-nlog-stops-vs-ire/#respond</comments>
		
		<dc:creator><![CDATA[zxi]]></dc:creator>
		<pubDate>Tue, 09 Jul 2024 05:02:45 +0000</pubDate>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[expousre]]></category>
		<category><![CDATA[hlg]]></category>
		<category><![CDATA[nikon]]></category>
		<category><![CDATA[nlog]]></category>
		<category><![CDATA[nraw]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[z8]]></category>
		<guid isPermaLink="false">https://zxi.mytechroad.com/blog/?p=10133</guid>

					<description><![CDATA[<p>Recently I switched from N-RAW to H.265 / HLG for quicker HDR workflow in Final Cut Pro, basically just drop the clips in a HLG&#8230;</p>
<p>The post <a rel="nofollow" href="https://zxi.mytechroad.com/blog/photography/nikon-z8-hlg-nlog-stops-vs-ire/">Nikon Z8 HLG / N-Log Stops vs IRE</a> appeared first on <a rel="nofollow" href="https://zxi.mytechroad.com/blog">Huahua&#039;s Tech Road</a>.</p>
]]></description>
										<content:encoded><![CDATA[
<p>Recently I switched from N-RAW to H.265 / HLG for quicker HDR workflow in Final Cut Pro, basically just drop the clips in a HLG timeline and that&#8217;s it, just like the iPhone&#8217;s Dolby Vision (HLG HDR) footage.</p>



<figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper">
<iframe title="85mm 手动镜头打鸟 | 鸽子求偶 | 加拿大鹅 | Nikon Z8 | 4K HDR" width="500" height="281" src="https://www.youtube.com/embed/CAySu64so1g?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
</div></figure>



<p>I did some test about IRE vs stops in HLG mode and compared that to the <a href="https://download.nikonimglib.com/archive3/hDCmK00m9JDI03RPruD74xpoU905/N-Log_Specification_(En)01.pdf">theoretical N-Log curve</a>.</p>



<p>Setup: I expouse the 18% midgray to 36% IRE in HLG mode to match that with N-Log. Adjust the exposure time first then aperture, ISO to over and under expose the midgray for IRE readings.</p>



<p>Note: Techincally, you should expose midgray to <strong>38% IRE</strong> in HLG mode (<a href="https://xtremestuff.net/recording-editing-with-hybrid-log-gamma-part-1/">ref</a>), diffuse white will be around <strong>75% IRE</strong>, 75%+ is for specular highlights (0~3 stops over diffuse white).</p>



<h2>Stops vs IRE</h2>



<figure class="wp-block-image size-large"><a href="https://zxi.mytechroad.com/blog/wp-content/uploads/2024/07/Nikon-Z8-_-Stops-vs-IRE-huahua-1.png"><img width="1024" height="681" src="https://zxi.mytechroad.com/blog/wp-content/uploads/2024/07/Nikon-Z8-_-Stops-vs-IRE-huahua-1-1024x681.png" alt="" class="wp-image-10136" srcset="https://zxi.mytechroad.com/blog/wp-content/uploads/2024/07/Nikon-Z8-_-Stops-vs-IRE-huahua-1-1024x681.png 1024w, https://zxi.mytechroad.com/blog/wp-content/uploads/2024/07/Nikon-Z8-_-Stops-vs-IRE-huahua-1-300x200.png 300w, https://zxi.mytechroad.com/blog/wp-content/uploads/2024/07/Nikon-Z8-_-Stops-vs-IRE-huahua-1-768x511.png 768w, https://zxi.mytechroad.com/blog/wp-content/uploads/2024/07/Nikon-Z8-_-Stops-vs-IRE-huahua-1.png 1212w" sizes="(max-width: 1024px) 100vw, 1024px" /></a></figure>



<p>First of all, we can see that HLG curve is more contrastive than N-Log. Highlights will be clipped after <strong>5 stops over midgray</strong> which I think is OK for a lot of scences. N-Log retains more infornation in the highlights (if not over-exposed) up to 6.3 stops at the cost of noiser shadows. HLG has more detials in the shadow area, <strong>noise floor is about 2%</strong> at ISO 400 (12.5% for N-Log).</p>



<p>Another thing intresting is that the HLG curve is very steep from -1 to +3 stops but quickly saturated afterwards (non-linear anymore), highlights are compressed and will clipped around <strong>96% IRE</strong>, making sure to set the <strong>high zebra to 245</strong> when shooting HLG.</p>



<h2>Base ISO for HLG and N-Log</h2>



<p>Nikon Z8&#8217;s HLG has a &#8220;nominal&#8221; base ISO 400. Under the hood, the sensor is working at ISO 100, shadows will be boosted by <strong>2 stops</strong> while highlights will be intact, bascially you are shooting at ISO 100 with 2 stops under to protect highlights.</p>



<p>N-Log has a &#8220;nominal&#8221; base ISO 800. Same as HLG, the sensor is working at ISO 100, shadows will be boosted by <strong>3 stops</strong> while highlights will be intact, bascially you are shooting at ISO 100 with 3 stops under to protect highlights. However, you will see a lot of noise in shadow area due to insufficient light and 1.3 ~ 1.7 stops &#8220;over-exposure&#8221; is usually needed to compensate that to get clean image. </p>



<h2>Consolution</h2>



<p>HLG has a pretty good balance between highlights and shadows, very user friendly for HDR workflow. Unlike N-Log, there is no need to over-expose (even 1 stop under looks good to me), no camera LUT needed for restoration, zero or minimum color grading needed. Another advantage of HLG over N-Log is monitoring, most of the time you can rely on the screen/viewfinder (with zebra on) to adjust the exposure and only open the waveform if needed. </p>
<p>The post <a rel="nofollow" href="https://zxi.mytechroad.com/blog/photography/nikon-z8-hlg-nlog-stops-vs-ire/">Nikon Z8 HLG / N-Log Stops vs IRE</a> appeared first on <a rel="nofollow" href="https://zxi.mytechroad.com/blog">Huahua&#039;s Tech Road</a>.</p>
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